All images, anywhere on my site, or my publications, are available as fine art gallery prints on coated archival rag paper and are produced with digital pigmented inks.
Please contact me, without any obligation, for more detailed information and specific pricing at:
I am available for customized teaching sessions, private or group, and for presentations. These sessions can cover digital darkroom training in Lightroom or Photoshop techniques and strategies. I also offer general camera usage and fundamentals.
Sessions can be conducted at your house, or in the field at a location of your choosing, or anywhere as needed.
Please contact me, without any obligation, for more detailed information and pricing, or any other questions or ideas:
Thank you for your interest in me and your support of my art!
What people are saying about Jerry’s art…
John Paul CaponigroInternational Visual Artist / Caponigro Arts
I remember the day when Jerry Grasso lit up. He understood that not only could he become more creative but he was already much more creative than he thought he was. Hard work produces grace, not miracles. Since then, Jerry’s followed through on his creative life with passion and commitment. It’s been delightful to see his work grow and be celebrated in exhibitions and publications.
Brooks JensenEditor LensWork Magazine / LensWork Magazine
When we review submissions here, we either know we want to publish something, or we know we don’t want to publish something. And every once in a while we look at a body of work and just go “wow!” This is fabulous. That was the case with yours. We instantly knew we wanted to publish it…We are also delighted to include one of your images on the [issue #115] cover!
Stan MarchutPhotographer / Brown Dog Studios
The visual artistry of Jerry Grasso caught my attention ten years ago. I bought an image and then a book. The creative energy that continues to drive his aesthetic development is fascinating. His images have cycled through periods of abstraction and stark realism, but always maintain an optical complexity. They engage the eye with a physical presence as art objects but also trigger moods and emotions in the mirror of imagination.
Mallorie OstrowitzPhotographer / Ostrowitz Photography
Jerry has been one of my most dedicated students; he is open to learning new approaches, accepted criticism and progressed exponentially. Jerry followed through with exceptional commitment to all projects he was given, and as a result, has fine tuned his talent and now produces such high quality of work that he was accepted by LensWork magazine.
Troy AlmeidaPhotographer / Photography Enthusiast
I appreciate what you [say] about finding your inner child, being imaginative, and not seeing everything in black & white. You talk about people seeing your work in galleries but then not being able to describe what they saw, and I realized I'm guilty of those things, too. I don't always know how to view art, and I don't look at [your art] deeply enough to really "see" it, if that makes any sense. Once I really looked at it deeply, it definitely helped me to appreciate the extreme detail of the architecture. It really did force me to slow down and LOOK at them. I enjoyed that very much.